Studio Immersion Program
supported by the PETMAN FOUNDATION
Seeking Latinx Canadian Media/Visual Artists and Practitioners
Training opportunity for Latinx artists in the use of a new Augmented Reality program
PIX FILM Collective in collaboration with Southern Currents Film + Video Collective (aluCine Latin Film + Media Arts Festival) is hosting an open call for a new Artist Studio Immersion Program, supported by the Petman Foundation and the Ontario Arts Council.
PIX FILM Collective will accept artist proposals from members of Latin Canadian communities to create and exhibit their work in a new, virtual space with no walls and boundless possibilities for an open imagination in the ARTIFICIAL MUSEUM.
In times of COVID-19, PIX FILM Collective is adapting its yearly Studio Immersion Program, by creating the new PIX FILM Collective Virtual Residency in 2021 in Co-presentation with The ARTIFICIAL MUSEUM
For full Information and application
NOW CLOSED - Artists selected 2021
Marco Royal Nicodemo
Supported by the Petman Foundation in 2020
Stephanie Castonguay (Montréal)
Britany Gunderson (Milwaukee)
Supported by The Petman Foundation in 2019
Blinn & Lambert is the pseudonym for the collaborative duo of Nicholas Steindorf and Kyle Williams. Although they work primarily in moving image, their practice is rooted in the elastic field of painting. Their work is motivated by the history of image-making technologies—CGI interfaces, Dutch still life paintings, practical cinema effects, stereoscopic cameras—and the way these technologies can be paradigms for describing time, material, and screen presence. Their videos and animations explore humor, desire, anxiety, and bewilderment through meditations on quotidian objects. Ultimately, they want to give viewers time with objects that have been nudged out of their place in the world, and a cinematic re-imaging of the space that exists between us and our things. http://blinnandlambert.com
The Canadian artist ANDREW LENNOX for the studio Immersion Program will be at PIX FILM from September to November 2019.
About the artist Andrew Lennox:
I am a film-based artist. Typically, I create objects using analog film as source material and then animate those objects to create a new film. The “film-objects” are presented as sculptures, alongside a looped screening of the animated film. The intention is to straddle the divide between traditional fine arts in a gallery setting, with the convention of projecting film as a timed-based medium, in a cinema setting. This highlights the time-based distinction between analog film and the traditional fine arts, while also demonstrating their relationship as objects of art. While analog film shares its timed-based quality with digital film, digital film does not inherently exist as an object. This unique, intermediary space is both a division and a connection between analog film, digital film and the traditional fine arts. The thrust of my work explores analog film as both a distinct and a related artistic medium, to the traditional fine arts and to digital film.
Supported by the Petman Foundation in 2018
Sabine Gruffat is a French-American artist who works with experimental video and animation, media-
enhanced performance, participatory public art, and immersive installation. In this work, machines,
interfaces, and systems constitute the language by which she codes the world. The creation of new ideas means inventing new tools, crossing analog and digital signals, or repurposing old machines to patch into new ones. By actively disrupting both current and outmoded technology, Gruffat questions standardized ways of understanding the world around us. More detailed information at http://www.dreamingupfilms.com
Matthieu Hallé is a film and video artist experimenting with the boundaries of media art. Spanning extremes and contrasts; his works are influenced as much by slow contemplative, narrative cinema as by experimental, abstract, non-narrative films. His works have screened in theatres, galleries and public spaces across Canada and the USA. He also performs live visual shows, often combining analog and digital mediums, fire and water, and elements of improvisation.
Andreas Wutz (Germany)
Sally Walker-Hudecki (Toronto)
Leslie Supnet (Toronto)
Michael Enzbrunner (Toronto)
Brett Long (Toronto)
Anna Vasof (Greece/ Vienna)
Supported by the PETMAN FOUNDATION
Leslie Supnet is a moving image artist who utilizes animation, found media, and experimental practices on film and video. Her work has shown internationally at film festivals, galleries and microcinemas including TIFF (Short Cuts Canada), International Film Festival Rotterdam, Melbourne International Animation Festival, Experimenta India, International Short Film Festival Oberhausen, WNDX, Edge of Frame/Animate Projects, and many others. She has been commissioned by Reel Asian, Pleasure Dome / Art Spin, the 8 Fest Small Gauge Film Festival, Cineworks, and Film Pop! (Pop Montreal). Leslie has an MFA from York University and teaches analog and digital animation at various artist-run centres, not-for-profits and for the Faculty of Art and Continuing Studies at OCAD University.
Sally Walker-Hudecki a.k.a Sally Cinnamon works primarily in super 8 film. She began in 2010 at the Hart House Film Board and continued learning from Pablo Marin and Steve Cossman at LIFT, Dragan Stojanovic and Charles Bagnall. Her short films and music videos have been exhibited at festivals in Toronto and across the United States. Her official music video for the Julie Ruin’s “Goodnight Goodbye” premiered on Pitchfork in 2014. She is currently an executive assistant at Yowza Animation Corp, private event producer at GARAGENOIR Inc and visual artist/drummer for the Cool Hands.
Andreas Wutz is an independent artist, who graduated in painting and installation art, and has subsequently focused on photography, media installation and art film. He has been teaching Audio-Visual Art, Art Film and New Media at the Instituto Europeo de Design in Barcelona, and at the University of California in San Diego.
His research focuses on the media history of urban and natural landscapes, and investigates the social-political and historical relevance of every day situations. Based on phenomenological reflections of sounds and images, his concepts are driven by the attempt to relate the conceptualization of his work to historical and contemporary time. Understanding his objects of study and environment not only through, but also within media, his films, photographs, and media installations explore their inherent content, language, history, and performative presence self-reflexively.